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date published:
August 15, 2005

Refurbished tall ships are sure
to be the life of the new Boston Tea Party Museum
by Josh B. Wardrop / photography by Della Huff
Since 1973, the waterfront site
of The Boston Tea Party Ship & Museum—a floating tribute
to the most significant act of rebellion that inspired the
American Revolution—has been a huge attraction for visitors to
Boston looking to indulge their love of history. In 2001,
however, lightning struck the site’s wooden bridgetender
building, sparking a fire that caused enough devastation to the
structure that the City of Boston ordered its demolition. Today,
however, Historic Tours of America Inc., owners of the museum and
its accompanying tall ship replica, the Beaver, are engaged in a
massive renovation project aimed at returning the Tea Party
Museum to its former glory—and well beyond.
Five years after the fire, Debbie Wythe, project manager for the
Boston Tea Party Ship & Museum, seems to have found the positive
in the face of an unfortunate situation. That positivity comes
across in the excitement she feels for the new and improved Tea
Party structure, tentatively scheduled to open in spring or
summer of 2007. The $13 million project provides for a new museum
building with expanded attractions and a few amenities the old
one lacked—such as heat, air conditioning and restroom
facilities.
But a key opportunity presented by the fire was the chance to
enhance the nautical experience of the Boston Tea Party. While
the original Tea Party Museum included a replica of just one of
the tall ships involved in the historic event back in 1773, there
were actually three vessels present—the Beaver, the
Eleanor and the Dartmouth. “The Beaver was [already]
getting a complete overhaul as a result of this project,” says
Wythe. “We really wanted to [begin the process] of including the
other two ships as well.”
And so it began. Now, 27 miles north of Boston in the seaside
community of Gloucester, master shipwright Leon Poindexter is
working to bring the Boston Tea Party ships back to life. Having
spent the last year doing extensive restoration work on the 1908
Danish brig that has represented the Beaver since the early
1970s, Poindexter and his four-man team are devoting their
attention to the Vincie N—a fishing boat built in 1936,
and acquired this past March from the Gloucester Maritime
Heritage Center by HTA, which is being turned into a replica of
the Eleanor.
With the Beaver luckily left untouched by the fire that
closed the museum, Poindexter says the work involved was simply
battling the rigors and damage of age. “The ship’s almost 100
years old and has never had a major rebuild,” he says. Therefore,
Poindexter and his team turned their attention towards the boat’s
topside—“redoing the planking and the framework, everything from
the waterline up to the deck,” he says.
Don’t get the idea that the shipwrights took advantage of modern
technology to do the work, though. Poindexter is adamant about
keeping the replicas as authentic as possible. “The Beaver
was originally built with Danish oak, and we’ve rebuilt it with
white oak with locust framing. We’re rebuilding it the way it was
originally built.”
The Beaver was also given a slight facelift in order to
more closely resemble an 18th century whaling vessel, which—as
Poindexter learned while researching the ship’s history—was its
primary function. “The Beaver originally went over to
England loaded with oil, derived from sperm whales,” he says.
“After dropping it off, rather than send a ship back empty, the
owner of the ship took on a cargo of tea, which was brought back
to Boston.”
The Beaver has also received a paint job. Originally a
black-hulled ship, it now has a yellow hull with a black whale
painted on it. This too, Poindexter points out, is historically
accurate. “In the old days, they would oil the hulls of whalers,
which protected the hull but eventually turned black from the
sun. Black hulls made boats easy targets for pirates, because
they signified age. So, many owners would paint their ships
yellow to make them look younger and faster.”
Poindexter’s eye for such detail, and his interest in the
historical accuracy of the
replica ships he builds, convinced
Wythe and the people at HTA that he was the right choice to
oversee the Tea Party project. Poindexter
was initially contacted
by HTA after he’d completed work as a technical consultant on the
2003 Russell Crowe seafaring epic Master and Commander,
for which he oversaw the conversion of a 1960s frigate into the
warship the H.M.S. Surprise. Compared to that job, working
on the Beaver and Eleanor is a relative walk in the
park.
The Vincie N, a younger ship, will undergo much the same
sort of renovation as the Beaver as it metamorphoses into
the Eleanor. In addition to rebuilding the ship from the
waterline up, Poindexter and his team plan to build a deck and
reshape the bow and stern, giving it a different visual look than
the Beaver. Sail-wise, the two ships also differ: as a
brig, the Beaver has two masts; the Eleanor, a
full-rigged ship, has three.
Once a suitable vintage vessel can be found, according to Wythe,
plans exist to construct the Dartmouth as well. The end
result of pairing three replica tall ships with the new museum
building, Wythe hopes, will be a tourist attraction that truly
gives visitors a sense of the full importance of a key moment in
our nation’s history. “The Boston Tea Party itself is a story
that needs to be told—about standing up, in unity, for your
rights. And we hope to have a museum that will allow visitors to
hear that story and feel pride in their country.”
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